Audible Punctuation focuses on the pause in Homer’s Iliad and Odyssey, both as a compositional feature and as a performative aspect of delivery, arguing for the possibilities and limits of expressing phrases in performance. Ronald Blankenborg’s analysis of metrical, rhythmical, syntactical, and phonological phrasing shows that the text of the Homeric epic allows for different… Read more
This text first considers the character of Penelope from the Odyssey as the object of male gazes and as a subject acting from her own desire, and then it develops the notion of “possible plots” as structures in the poem that co-exist with the plots Penelope actually plays out. Read more
Nostos, Nestor: a theme, a character. What connects them? The concept of return, underlying the etymology of the oldest Homeric hero’s name, which will be further explored throughout this volume. In the trajectory of Douglas Frame as a researcher, νόστος, νόος, and Nestor summarize more than thirty years of walking… Read more
Reading Greek Tragedy Online turns to Iliad 1 with Jared Simard (New York University) and Maria Xanthou (University of Bristol) Read more
Ancient scholarship had many faces, but most have faded away over time. Demetrios of Scepsis is one of the more shadowy of these lost figures, best known for his commentary on the Trojan Catalogue in Book 2 of the Iliad. Alexandra Trachsel’s work represents the first treatment dedicated to Demetrios of Scepsis… Read more
In this study, the author argues that syntactical development beyond the autonomy of single words or word groups was facilitated by an aspect of Homeric prosody that differs from the metrical surface structure, though it is realized together with meter. The focus will be on the strength of metrical boundaries… Read more
[This article is a draft of a review later published in Journal of Hellenic Studies 131 (2011) 166–169 (DOI: https://doi.org/10.1017/S0075426911000127). Page numbers for that publication have been added in curly brackets. For instance, {166|167} indicates the break between pages 166 and 167.] For the author (hereafter LF), the… Read more
Editors: Elizabeth Gipson, Angelia Hanhardt (2016–2021), and Keith DeStone Web producer: Noel Spencer Consultant for images: Jill Curry Robbins Jump to: Iliad Rhapsody 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12,… Read more
2017.06.10 [The online version of this presentation as published here on the website of the Center for Hellenic Studies (CHS), http://nrs.harvard.edu/urn-3:hlnc.essay:Nagy.Diachronic_Homer_and_a_Cretan_Odyssey.2017, replicates the contents of another online version as published in Oral Tradition 31/1 (2017) 3–50. The proper URL citation for that version is http://journal.oraltradition.org/issues/31i/nagy. I am most… Read more
