back Thomas E. Jenkins I think it’s commonplace for every teacher of Greek to say that they’ve learned Greek twice: once as a student, then again as the teacher, barely keeping one step ahead of the pupils. When I first accepted the position as Teaching Fellow in Greg’s flagship… Read more
back Soo-Young Kim For histrionic or fanatical stress on the mysterious side of the mysterious takes us no further; we penetrate the mystery only to the degree that we recognize it in the everyday world, by virtue of a dialectical optic that perceives the everyday as impenetrable, the impenetrable… Read more
back Roger Travis Parts of this essay have appeared in serialized form on the blog Play the Past. Introduction This essay serves three purposes: first, to review the posts of my Rules of the Text (Travis 2012a-e) series on the blog Play the Past, and to recapitulate their argument… Read more
back Yiannis (J.C.B.) Petropoulos In Greece the cicada fills the air every summer with his piercing, reassuring, significant symphony (not haphazard cacophony; the ancients quite cherished his song, and Hesiod in Works and Days 582 ff. clearly discerned its meaning!). Trusty tettix is a midsummer messenger, an angelos of… Read more
back Olga Levaniouk Preface This paper has its roots in a nostalgic recollection: being a graduate student in Greg’s seminar. A discussion of age-related hairstyles in ancient Greece and elsewhere and Greg’s inspiring thoughts on the subject prompted me to put together a handout for a class report with… Read more
back Nikos Panou Introduction Early in 1799, the Epirot merchant Alexandros Vasileiou settled in Paris. [1] Already within a few weeks, he found himself engaged not only in a variety of commercial activities but also in an effort to establish a network of connections… Read more
back Pierre Judet de La Combe, EHESS, CNRS Ma dette envers Gregory Nagy est immense. Issue d’une tradition herméneutique littéraire lointainement rattachée à la réflexion théorique de Friedrich D. E. Schleiermacher, puis refondée par Peter Szondi et surtout par Jean Bollack, la philologie que je pratique est avant tout… Read more
back Jean Bollack Au chant XXIV de l’Iliade, devant le corps d’Hector, ramené dans sa maison, Hélène fait l’éloge du mort, parlant en tiers avec deux autres femmes, après Hécube, la mère, et Andromaque, l’épouse (voir l’épisode des vers 718-776). Elle ne parle pas en raison de ses liens… Read more
back Guy Smoot It is my contention that the Homeric Odyssey deliberately problematizes the crucial question of whether Helen went to Troy: it neither clearly asserts it, nor clearly denies it, but leaves a contemporary audience with the hermeneutic freedom to imagine either scenario. The Odyssey positions itself between… Read more
